Trump Can’t Stop Blaming, Bragging, and Ranting — As Fox News Tightens Its Grip and His ‘Hellhole’ Cities Fall Apart
In a recent episode of late-night satire, host Jimmy Kimmel tackled the avalanche of political absurdity permeating American life, from President Trump’s media obsession to the government shutdown, Mel Gibson’s biblical sequel, and the ongoing myth of “hellhole” cities. Through biting humor and pointed commentary, the segment painted a vivid portrait of a nation grappling with misinformation, division, and the surreal spectacle of contemporary politics.
The episode opened with a tongue-in-cheek report that Mel Gibson has finally cast the lead for his much-anticipated sequel to *The Passion of the Christ*, humorously titled *The Resurrection of the Christ*. In true satirical fashion, the film is “loosely based on Weekend at Bernie’s 2,” and will star an unknown actor, Yako Oonin, as Jesus. The movie promises no recognizable faces, dialogue in a language no one speaks, and, ironically, $700 million at the box office. The segment lampooned Hollywood’s penchant for spectacle and the public’s endless appetite for religious drama.
The heart of the episode focused on President Trump’s increasing reliance on Fox News for information—sometimes to the detriment of reality itself. According to reports, Trump’s decisions are heavily influenced by cable news coverage, often mistaking old footage for current events. For example, his push to send the National Guard to Portland was allegedly based on outdated Fox News clips, leading to confusion even among his advisors.
This media echo chamber is not just a source of comedy—it’s a genuine concern within Trump’s inner circle, who worry about the president’s inability to distinguish between televised fiction and fact. The segment highlighted the absurdity of a world leader being briefed by the same sources as travelers waiting for their flights at the Dallas Fort Worth airport.
Trump’s frequent characterization of Democratic-led cities as “hellholes” was put to the test in a clever viewer challenge. Citizens from cities like Chicago submitted videos documenting their supposed “post-apocalyptic wastelands.” The results? Scenes of marathon runners, street musicians, and minor inconveniences like a restaurant running out of crab rangoon or a car wash raising prices by a dollar. Far from chaos, these submissions showcased vibrant communities, poking fun at the disconnect between political rhetoric and lived reality.
The episode also addressed the ongoing government shutdown, now in its fifteenth day, and the peculiar situation in the House of Representatives. Speaker Mike Johnson’s refusal to swear in Arizona Democrat Adelita Grijalva has left the House paralyzed, allegedly to avoid a vote on releasing the Epstein files—a move that some claim is an attempt to “cover up for pedophiles.” The repeated accusations, delivered with comedic exaggeration, underscored the dysfunction and conspiracy-laden atmosphere in Washington.
Trump’s public appearances continue to oscillate between self-congratulation and finger-pointing. At a recent press conference, dubbed a “pity party,” he alternated between blaming opponents for the nation’s problems and bragging about his own accomplishments. Even a golf outing with his granddaughter Kai became an opportunity for self-promotion, though Kai’s candid video revealed a less-than-flawless performance on the green.
In a segment blending cultural commentary with humor, drag queen Trixie Mattel hosted a “Drag Queen Storytime” featuring Eric Trump’s new book, *Under Siege*. The children’s honest reactions ranged from confusion to boredom, and ultimately, the book was repurposed as confetti for a science experiment. The bit highlighted the nation’s polarization, as reflected in the book’s one-star and five-star reviews, and celebrated the power of laughter and critical thinking.
Through sharp wit and satire, the episode illuminated the bizarre realities of American politics, media influence, and cultural division. From Mel Gibson’s cinematic resurrection to Trump’s Fox News feedback loop and the myth of “hellhole” cities, the show reminded viewers that while the times may be “stupid,” humor remains a powerful tool for coping with chaos.
As Jimmy Kimmel signed off, the message was clear: In an era of misinformation and political theater, sometimes the best response is to laugh, question, and refuse to take the spectacle at face value.
